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Joyce Yang in place of Arghamanyan

pianist Joyce YangNareh Arghamanyan was to perform here on February 12. Unfortunately, due to visa problems and border entry uncertainties, Nareh’s attorney advised her to cancel her entire tour.

In her place, we are truly fortunate to have the wonderful pianist Joyce Yang, who will perform pieces by Schumann, Grieg, and Vine on Sunday’s Steinway Piano Concert. Joyce stormed the international stage when she won the silver medal at the Van Cliburn Piano Competition when only 19 years of age.

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Creating a culture of piano

In order to create a culture of piano in our community, we strive to program events for all ages from preschoolers to adults and all levels of musicianship from appreciative listener to professional musician.teaching

Toward that end, we opened our 2016-17 season with a workshop for a lesser-served group: the adult piano enthusiast. In October, pianist Paul Roberts from England spent 3 days giving lessons, master classes, and a concert to a mixed group of participants and observers, including computer programmers, a real estate broker, retired professors, a researcher, musicians and music teachers. It was a joyful, learning-intensive weekend.participants

Reminder:  Returning by popular demand is pianist, Inon Barnatan, whose sensitive, poetic playing and technical fireworks thrilled us last time.

~ Bonnie Esbensen

Steinway Piano Series Concert

Inon Barnatan
Sunday November 13
4:00 PM
The LaSells Stewart Center

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Program Notes



Kholodenko’s Concert

Reflections on the May 1, 2016 Concert
By Michael Coolen

Vadym Kholodenko in Cliburn finalThe Russian words krika tishina translate, more or less, into “a screaming silence.” I thought of them while waiting for Vadym at the Eugene airport. His desire to address his recent tragedy through his music is a wonderful medicine for him and a gift to his audience members. His playing reflected not only his mastery of the piano, but it gave a clear example of who Vadym Kholodenko is as an artist. His relationship with the Steinway piano in LaSells auditorium began immediately when he sat down to practice. He smiled.

His performances of the Liszt were a revelation to me, since I have long found Liszt difficult to understand. It was a gift I was not expecting. At the first intermission I asked him if the piano was satisfactory, and he responded “a good piano.” The Scriabin Preludes during the second half were beautifully played, often revealing new insights into them. When he finished playing the Scriabin Fantasie at the conclusion of his recital, I almost expected him to stand up and kiss the piano because the two had created such sacred and profound music together.

The encore of the Rachmaninoff arrangement of a Tchaikovsky lullaby left several members in the audience shattered. It was perhaps the most deeply moving COPI concert I have attended. Bravo to Vadym and to COPI. And Bravo to the Corvallis audience who once again elicited this response from Vadym. “It was a good audience,” he said. “They were quiet, respectful and attentive, and I really liked them.”


Two Pianos, Two Pianists

Instead of one concert grand piano on stage, there will be two pianos at the next Steinway Piano Series concert on February 21, 2016. Our beautiful, full-throated 9 foot Steinway Model D will be on your left and a 9 foot Yamaha CFX will be on your right.

The Steinway was purchased following a hugely successful community fundraising campaign, making it truly the People’s Piano. It lives in its own secure, humidity- and temperature-controlled room backstage. The Yamaha is being loaned to us by the generous folks at Classic Pianos in Portland, A&RforblogOregon. Piano movers will have to make two round trips from Portland to Corvallis, first to bring us the piano in time for rehearsals and tuning, and after the concert to take it back to Portland. It’s amazing to watch the ease with which skilled piano movers handle these large instruments.

The two pianos will come to life when Greg Anderson and Elizabeth Roe take the stage to deliver another of their electrifying performances. While you’re enjoying the concert, note if there is any difference in the voices of the two pianos.

More information about Anderson & Roe
More information about the program they will be playing

~ Bonnie Esbensen

Steinway Piano Series
Anderson & Roe 
Sunday February 21, 2016
4:00 PM
LaSells Stewart Center

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Beethoven’s Pianos

Here at COPI, we are particularly interested in the fortepiano, because the modern piano is considered to be the direct descendent of the fortepiano.

In its day, the fortepiano distinguished itself from the harpsichord and the clavichord by its ability to produce a range of dynamics from loud to soft – an innovation made possible by having hammers strike the strings to produce a tone (as on modern pianos) rather than having quills pluck the strings (as on harpsichords).

The development of the fortepiano is closely tied to Beethoven and his music. As keyboards changed and developed, Beethoven composed pieces that utilized the characteristics of the new instruments. However, Beethoven was generally unhappy with the instruments of his day and constantly demanded that pianos be built that would be adequate for his playing style and for the pieces he envisioned writing. According to historian Jeffrey Dane, Beethoven’s “conceptions and his music demanded a new nobility and breadth of utterance, for which he called into existence new elements of vitality and dramatic emphasis…”

Toward the end of his life, Beethoven acquired two pianos which came closer to meeting his needs; one was made by Broadwood and the other by Graf. These instruments had marvelous qualities; they were responsive, resonant, and clear.

Come by the Corvallis Public Library at 1PM on February 6 and hear a Graf fortepiano for yourself. Pianist David Kim will be giving a free lecture/demonstration. (See details below.) According to Artistic Director Dr. Rachelle McCabe, this is a special opportunity: “The Graf is so rarely heard and it’s a revelation when we hear the music of Beethoven, Schubert, and Schumann played on a Graf.”

Mr. Kim will be playing a 6-1/2 foot Graf/Boesendorfer copy by Rod Regier.

Read more about Beethoven and his pianos:

Jeffrey Dane, Background of the Piano, 2001
Tom Schnabel, Beethoven’s Pianos2015

~ Bonnie Esbensen

David Kim, fortepiano
An Ahistorical Performance: Old Pianos and New Musicianship

Saturday, February 6, 2016
1:00 PM
Meeting Room
Corvallis Public Library
Free admission

Don’t miss David Kim and his fortepiano the night before at the Chamber Music Corvallis concert.

David Kim, fortepiano and Lauren Basney, violin
Friday, February 5, 2016
7:30 PM
First United Methodist Church
Corvallis, Oregon

The Naumburg Competition

You may have noticed that most of the artists who appear on our piano series have won prizes at prestigious piano competitions, such as the Van Cliburn International Piano Competition. While there is some debate about the value of piano competitions, there is no doubt that these competitions have launched many successful careers. Finalists in these competitions have demonstrated their command of a large, difficult repertoire and their ability to communicate with an audience.

The pianist Gilles Vonsattel, who opens our season on November 8, is no exception. He won first prize at the 2002 Naumburg Competition. We thought we’d tell you a little bit about that particular competition.

NaumburgWalter Naumburg was a New York banker, philanthropist, and accomplished amateur cellist who was dismayed by the difficulties talented young musicians encountered at the beginning of their careers. Music critics’ reviews were essential, and getting those reviews often meant raising money from friends and family in order to a rent a hall and mount a recital that hopefully would ignite a successful career. Mr. Naumburg decided to help musicians with these debut recitals, and in 1926 he established the Walter W. Naumburg Foundation to sponsor Town Hall recitals. Soloists were selected at an annual audition.

In the beginning, awards went only to pianists and string players. In later years, singers and other instrumentalists were added to the competition, as well as a category for chamber groups. In 1946, the composers Aaron Copland and William Schumann joined the board of directors of the Naumburg Foundation and soon after an award to record major American works was established to recognize composers.

According to the Naumburg web site, “in 1961 the traditional ‘Naumburg auditions’ were replaced by a much more elaborate competition, designed to attract the finest potential talent; rather than offering a small push to several young musicians, the Foundation would give a very big push to just one. Now the winner would receive a substantial cash prize for use in furthering a career, a 2-year contract with a professional management, a solo recording, and an appearance with the New York Philharmonic on a Naumburg-sponsored concert…”

The Naumburg Competition continued to evolve in response to changing times, and now gives awards in three categories – piano, strings, and voice – on a tri-annual basis. The next competition will be for cello on October 13-18, 2015. First prize is $15,000, two New York recitals, and a commissioned work.

You have a chance to hear the winner of the 2002 Naumburg Competition. He is….

Gilles Vonsattel
Steinway Piano Series
November 8, 2015
4:00 PM
LaSells Stewart Center, OSU
Corvallis, OR

Click here for more information about Vonsattel and the program he will play.

~ Bonnie Esbensen

Announcing our new season

Pianist Gilles VonsattelWe are excited to announce the COPI season for 2015-2016.

For the Steinway Piano Series, we have two wonderful soloists coming: Gilles Vonsattel and Vadym Kholodenko. Vonsattel started out in Political Science and Economics, but ended up in music winning the Naumberg International Piano Competition and an Avery Fisher Career Grant.

Anderson & Roe Piano DuetKholodenko’s career has been steadily rising, but we really took notice when he swept the Van Cliburn International Piano Competition, winning the Gold Medal, the award for Best Performance of Chamber Music, and the award for Best Performance of a New Work.

Joining Kholodenko and Vonsattel on the Steinway Piano Series is the exciting piano duo Anderson & Roe, returning to our stage by popular demand.

pianist Vadym Kholodenko in concertWe also have two Special Events coming up. Noted fortepianist David Kim will be giving a lecture demonstration about the instrument favored by Beethoven, Schubert, and Schumann. We will have the opportunity to hear music played on a fortepiano, which has a lighter touch and sound than the modern concert grand.

There will also be a lecture concert by Argentine pianist Alejandro Cremaschi on the infectious and exciting music of Spain and Latin American.

To learn more, we invite you to explore our website and, if you haven’t already done so, to sign up to receive our season brochure and our newsletters. It’s going to be a sensational season!

Change in Jon Kimura Parker concert

Pianist Kuok Wai LioWe are sorry to announce that Jon Kimura Parker will be unable to play in Sunday’s Steinway Piano Series concert due to an injury. Award winning pianist Kuok-Wai Lio will be filling in for Mr. Parker.

Mr. Lio will perform on Sunday May 3 at 4pm in the LaSells Stewart Center. Tickets are still available for this concert.

The Master Class on March 2, that was to be given by Mr. Parker, is cancelled.

Master Classes: Good for All

Trpceski-smOur visiting artists often give a master class while in town. Students benefit performing before an audience and receiving instruction from these renowned pianists. However, they are not the only ones who benefit; the audience also gains much. In addition to enjoying great music in an intimate setting, the audience hears the artist talk about his or her life and career, gains insights into the music and composer being studied, and watches in rapt attention as the artist helps students achieve new heights in their playing.

At our last master class in March, Lancaster-smSimon Trpčeski enthralled students and the audience with his energy, vivacity, and passion for the music, demonstrating at the piano, making gestures, and urging students to try various approaches. The performers in this master class were Alex Lancaster, playing Schubert’s Moment Musicale #1, Cassie Simpson playing Liszt’s Petrarch Sonnet #104, and Bryson Skaar playing Liszt’s Concert Etude: Forest Murmurs.

Skaar-smThere is another COPI master class coming up, and we’d love to see you there. Simpson-smJon Kimura Parker will give a master class on Saturday May 2 at 3:00 PM in Benton Hall Rm 303 on the OSU campus. Admission is free.

Kathryn Louderback, a piano major at OSU, will perform Two Pieces from Romeo and Juliet by Prokofiev, and Michael Gu, a 5th grader at Ashbrook Independent School, will perform Chopin Impromptu in A flat major and Prokofiev Etude, Op 2, no. 4.

Jon Kimura Parker Concert
Sunday May 3 at 4:00 PM
LaSells Stewart Center.
More info.  Buy Tickets.

Thanks to Havilah Green for these photos from Trpčeski’s master class.

~Bonnie Esbensen

First Love – the Accordion

Accordion DoodleUpcoming guest artist, Simon Trpčeski, declared in an interview for International Piano Magazine, May/June 2013 that his first love was the accordion, not the piano.

Trpčeski said that when he was 3 1/2 or 4 years old, his father gave him a small accordion on which he immediately began picking out melodies. Before long, he was playing and singing in folk festivals. When he was 7 years old, he entered a primary music school, but accordion lessons were not offered at this school.Trpčeski turned instead to the piano – an instrument, which at least had a keyboard like the accordion.

Fortunately,Trpčeski now loves the piano. He is a soloist and chamber musician known for the beauty of playing. He will perform a program of Brahms, Ravel, and Liszt on March 1st, 4:00 PM at LaSells Stewart Center. More info.

~Bonnie Esbensen

P.S. In addition to his performance on the Steinway Piano Series, Trpceski will give a Master Class on Monday, March 2. More info.

“Electrifying virtuosity, but no whiff of show-off. . . . Head plus heart, lots of heart.”
   ~Geoff Brown, The London Times